Seeing the Body was published by W.W. Norton & Co. in June, after the pandemic drove a retreat into interior spaces. Griffiths herself dealt with Covid-19 in late winter, and, until recently, has remained at home. Her original warm-weather plans included a three-week residency in Italy and an August visit to Provincetown, where she has an enduring connection to the artistic community. The book’s virtual launch was presented by New York City’s Center for Fiction. Other recent virtual readings paired Griffiths with such Fine Arts Work Center colleagues as the poets Marie Howe, Reginald Dwayne Betts, and Nick Flynn.
Griffiths discovered Provincetown two decades ago, around the time she was completing a master’s in fiction at Sarah Lawrence College. The Fine Arts Work Center awarded her several summer scholarships to study fiction and poetry. “I had never been to the Cape,” she says. “The town and the work center welcomed me. I felt like I was home. The energy, the gardens, the smell of the water, the art galleries, the inclusivity of queer and gay and trans and lesbian individuals, all of that was really beautiful to me. I was in my 20s and had found my place, where I could be all of my different selves.”
Griffiths has since returned to FAWC as an instructor. Her mixed-media workshops combine, like Seeing the Body, writing and image-making. Teaching or not, Griffiths often returns to Provincetown, especially enjoying winter’s calmer pace.
About finding her reading voice, she says, “In the beginning, it was, ‘This is how I use my body to read my work: I don’t want to overthink it.’ I like to read aloud. The feeling of sharing, in that way, is a very old thing in me. It is as though I am meeting the language again.”
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