Seeing the Body | 'Briefly Noted' in The New Yorker! (July 2020) by Rachel Griffiths

Seeing the Body, by Rachel Eliza Griffiths (Norton). A daughter mourns her mother’s death in this collection of poems, excavating her personal loss amid the wider traumas of racism and misogyny. “Behind my eyes / a dead woman looks back at me with no trace / of recognition,” she writes. Griffiths, who is also a visual artist, includes a series of anguished photographic self-portraits, and she is fascinated with the power of images to document and distort. In her elegiac, enraged poems, the injustices suffered by women and black people find an echo in the cosmic injustice of mortality. Ultimately, the work draws lyrical intensity from its resistance to oblivion and its insistence, despite despair, on life.

Published in the print edition of the July 6 & 13, 2020, issue of The New Yorker

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Ron Slate reviews Seeing the Body at On the Sea Wall by Rachel Griffiths

“And most of all, the delivery is eloquent. Denis Donoghue has said, “Eloquence does not represent the real, it replaces it with its own voice … It is the charisma of speech, claiming to transcend the properties of law, custom, and reference: an inspired grace, a favor, like the gift of tongues.” The voice replaces its circumstances with itself — and becomes the body we are forced to recognize. The boldness of Griffiths’ presence at times may lead one to forget how much terror and how many “properties of law, custom, and reference” are being transcended. But she will remind you.” - Ron Slate (Host and Editor of On the Seawall)

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Poem As a Friend: Joy Harjo's "Remember" by Rachel Griffiths

https://soundcloud.com/the-poetry-exchange/remember-by-joy-harjo-poem-as-friend-to-rachel-eliza-griffiths

In this episode, Rachel Eliza Griffiths talks about the poem that has been a friend to her – Remember by Joy Harjo.

Rachel Eliza visited The Poetry Exchange 'long distance' in an online conversation between London and New York. She is in conversation with The Poetry Exchange team members, Michael Shaeffer and Fiona Bennett.

We are very grateful to Rachel Eliza for allowing us to share the conversation with you, and to Joy Harjo and W. W. Norton & Company, Inc. for their permission to feature 'Remember.'

'Remember' can be found in She Had Some Horses: Poems by Joy Harjo, 2008, W. W. Norton & Company, Inc. www.wwnorton.co.uk/books/978039333…had-some-horses

Rachel Eliza Griffiths is a multi-media artist, poet, and writer.

Her literary and visual work has been widely published in journals, magazines, anthologies, and periodicals including The New Yorker, The Paris Review, The New York Times, Poets & Writers, Black Nature: Four Centuries of African American Nature Poetry, Best American Poetry 2020, and many others.

Griffiths is widely known for her literary portraits, fine art photography, and lyric videos. Her extensive video project, P.O.P (Poets on Poetry), an intimate series of micro-interviews, gathers nearly 100 contemporary poets in conversation, and is featured online by the Academy of American Poets.

Griffiths is the author of Miracle Arrhythmia (Willow Books 2010) and The Requited Distance (The Sheep Meadow Press 2011). Griffiths’ third collection of poetry, Mule & Pear (New Issues Poetry & Prose 2011), was selected for the 2012 Inaugural Poetry Award by the Black Caucus of the American Library Association. Her most recent full-length poetry collection is Lighting the Shadow (Four Way Books 2015), which was a finalist for the 2015 Balcones Poetry Prize and the 2016 Phillis Wheatley Book Award in Poetry.

Her forthcoming collection of poetry and photography, Seeing the Body, will be published by W. W. Norton in June 2020.

www.rachelelizagriffiths.com

Remember is read by Fiona Bennett.

*********

Remember
by Joy Harjo

Remember the sky that you were born under,
know each of the star's stories.
Remember the moon, know who she is.
Remember the sun's birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother's, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.

'Remember' reproduced from She Had Some Horses: Poems by Joy Harjo (c) 2008 by Joy Harjo. Used with permission of W. W. Norton & Company, Inc. All rights reserved.

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Four Way Review: Interview with Rachel Eliza Griffiths by Rachel Griffiths

“There isn’t enough canvas, enough pigment, enough bones in this country for black artists to address the violence and harm done to our bodies, our communities, by the imaginations or institutions that can’t bear for us to live. It isn’t our job or our art’s job to do that work either. Why is America afraid that we dare to imagine ourselves as anything but dead? “ — Rachel Eliza Griffiths (Interviewed by Four Way Review’s Editor Brynn Downing

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Poets & Writers: Ten Questions with Rachel Eliza Griffiths by Rachel Griffiths

“2. What was the most challenging thing about writing the book?
The uneven rhythms of grief don’t allow you to do or to feel life as you did before. Even the writer you were before is altered. It’s unquantifiable. Losing my mother forced me into the most difficult transformation of my life. Each poem drew me further into something I didn’t want to accept, which was that my mother was dead. Slowly, I understood that I also needed to put a lot of things in my life that frightened me to rest so that I could hear my own voice. It took some time for me to say that these poems were becoming a book. I didn’t want to say it.”

8. If you could go back in time and talk to the earlier you, before you started Seeing the Body, what would you say?
”Be careful with your sadness. I don’t want you to die.”

10. What’s the best piece of writing advice you’ve ever heard?
”My friend, the incredible and generous poet, Willie Perdomo, once told me to work on my writing in pieces, breaking it down, and do a bit each day. I needed his wisdom. Because I can get overwhelmed. Left to my anxiety, I’ll ambush myself before I even begin because I think I have to know the entire life of a story and that it must be a single breath. But that’s not how we breathe. “

FULL LINK HERE: https://www.pw.org/content/ten_questions_for_rachel_eliza_griffiths#:~:text=Rachel%20Eliza%20Griffiths%20is%20a,2016%20Phillis%20Wheatley%20Book%20Award.

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SEEING THE BODY VIRTUAL TOUR INFO by Rachel Griffiths

6.11.20 | 7:30 pm EDT OFFICIAL LAUNCH Center for Fiction with Jacki Lyden* https://centerforfiction.org/event/online-event-rachel-eliza-griffiths-launches-seeing-the-body-with-jacki-lyden/

6.12.20 | 7 pm EDT The Strand with Natalie Diaz* https://www.strandbooks.com/events/event15

6.15.20 | 7:30 pm EDT Greenlight Books with Zoë Hitzig and Nick Flynn

6.17.20 | 7: 30 pm EDT This Wild & Precious Life with Dan Beachy Quirk, Dustin Pearson, & Meg Wade

6.20.20 | 7 pm EDT Books & Books with Edwidge Danticat

6.23.20 | 7:30 pm EDT Bloom Women Writers with Cheryl Boyce Taylor

6.26.20 | 2 pm EDT Furious Flower | FB Live

7.1.20 | 8 pm EDT A Reading Series with Kaveh Akbar*

*EVENT REQUIRES REGISTRATION

*PLEASE CHECK BACK FOR FREQUENT UPDATES TO THIS CALENDAR. THANKS!

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